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The name Vinci stands not only as a metaphor for the master's pictorial perfection but also as a figura of his self.
They have described how the Renaissance blazon expresses the desire to fetishize and idolize the female body by fragmenting the subjective Other and reshaping her as a figura for the male poet's autonomy.
The woman's face, the narrator seems to argue, becomes a figura for the male will.
Figura puts the stress on the shaped artifact itself and the viewer's efforts to interpret it.
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