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Chapter Four discusses the resonant voice and includes information about the singer's timbre, the open throat, voice placement and vowel formants .
The best part is that pitching around while preserving the formants does really, really interesting things to the timbre of a voice: you can sound like a totally different person and still sound human.
You don't have to parse the sentences or measure vowel formants or anything time consuming, so the empirical part of the research just took a few minutes.
The results are plotted in the traditional way, with the second formant on the horizontal axis and the first formant on the vertical axis, both plotted so that the origin is (in effect) in the upper right-hand corner.
This singing formant also aids the opera singer by standing out above the typical orchestral accompaniment.
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