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It is a classic example of our Icarian conceit: the belief that with our resource-depleting technology we can improve on Nature.
Michel de Certeau celebrates the glorious sublimity of an Icarian moment as his gaze from the 110th floor soars over Manhattan.
Poetry's escape, its excess, follows an Icarian path: it drives upwards in a transgressive trajectory only to reach its limits and fall.
This seems to me like an important intellectual source for the interplay of Icarian heroism and Tantalean frustration that Tromly discusses.
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