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altarpiece
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Several authors, for example, observed that Rubens consciously painted the altarpiece for the Oratorians in Rome in the style of Paolo Veronese.
Although it is often described as an altarpiece , this painting is far more likely to have served as an epitaph - a potential function of this and other pictures by Van Eyck that needs further study.
Cecil Gould has sustained that the altarpiece includes a self-portrait of the artist in the guise of his name saint, Saint Anthony of Padua.
In the altarpiece Mantegna portrays the Madonna extending her hand and bestowing special favor on the marquis, who is dressed in full armor.
A side chapel holds Jan van Eyck's Adoration of the Mystic Lamb, a huge altarpiece designed to be folded into sections, painted in 1432.
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