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Humans perceive and classify color using two properties: hue and chroma .
Odita's tectonics of chroma is strongest in Dutch Light.
Seidl's paintings, with their blunted contours, blending chroma and reticulate brushwork, are all about flux, immanence and the mutating visual field.
The new species and its allospecies, P ruficeps are identical in color of the back and in lightness and hue of the crown, but are 100% separable in lightness, chroma , and hue of the belly; in color and pattern of the face; and in song.
Newman uses chroma to animate and differentiate forms.
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