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The surfaces of these paintings are so resolved in facture that they discourage easy recognition of the manner of their making.
The viewer's attention repeatedly returns to the paintings' facture , which is always on display but never showy.
His facture is generally rough and quick, whatever the medium, and he treats contemporary art as a sort of lending library, borrowing from the work of Boetti, Clemente and Cragg, among others.
In the plaster couple the painterliness of facture is accentuated by applied highlights of color, while in the bronzes the verdant patina emphasizes the work's mass over its flickering surface.
To discover the paintings' intimate, nuanced facture is to experience the integral relation of process to meaning in his work.
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