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As this passage also suggests, however, moderato cantabile seems to be much more than what is written above the score.
However I felt the orchestra lacked clarity in the moderato sections where a pulse was needed but not provided.
The passion of the Allegretto poco moderato e comodo was never allowed to become overly sentimental.
In other words, the mood that is written above the score is never quite identical to the affects it contains: Moderato Cantabile is never quite moderato cantabile.
In the Allegro assai moderato we have an impression of impish playfulness that is very much akin to Gade's own inventiveness.
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