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In 1981 the Museum staged an exhibition of Ashanti life in the then Museum of Mankind.
He admires Asante civilisation, but recognises that this kingdom succeeded in remaining independent for so long because it sold slaves in return for European guns.
Sometimes it had nothing to do with Mona at all - rather it was the loneliness of an Ashanti accent that the other children mimicked, giggling, or the emptiness of a lunch table where no one would sit with her.
Stamped adinkra, machine-embroidered or appliqued akunitan, brocade, and other forms may not have achieved kente's iconic status, yet each has its own role to play in the constellation of Asante arts of power and prestige.
He curated the acclaimed ‘Africa’ show at the Academy in 1995, as a result of his passion for collecting Ashanti sculpture and his scholarly interest in African art.
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