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The theoretical cluster of intertextuality and feminist literary history is a rich seam in current debates on the link between poststructuralism and feminist theory, and with good reason.
The intertextuality and self-reflexivity of literature is not, finally, a defining feature but a foregrounding of aspects of language use and questions about representation that may also be observed elsewhere.
This is especially important for me as a postmodern writer and researcher, where intertextuality is a major consideration in the production of cultural and creative pieces.
And for whom ‘there is no such thing as an author’, because ‘Every text is a product of intertextuality , a tissue of allusions to and citations of other texts’.
My concept of intertextuality thus goes back to Bakhtin's dialogism and Barthes' text theory.
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