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The enamel, millefiori and glass decoration, insular in style and technique, are most closely paralleled in Ireland.
Around the same time, Murano glassmaker Pietro Bigaglia captured international attention with his millefiori paperweights, exhibited in Vienna in 1845.
The Richardson pattern books illustrated a scent/ink bottle, a salt, and two weights in millefiori .
A sanding process introduced between each application of thin pigment produces colorful sweeps of minuscule dots that evoke barnacles and algae as well as the millefiori patterns found on Venetian glass paperweights.
The Italian millefiori technique for glass beads became the basis for the polymer ‘canes’ or picture beads.
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