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Where the hell are the timpani in the Philadelphia Orchestra?
Sure, it had a fine array of percussion - timpani , snare drum, bass drum, gong, glockenspiel - but they were just there for effect.
The sound is still aggressive, but it's more orchestrated, so the other two musicians just play timpani and a couple songs with just drums and guitar, respectively.
The bass is much deeper and richer, the timpani have been brought forth from the orchestral fabric, and the whole thing now has a presence, a pulse that it lacked before.
The concerto for 2 trumpets and timpani impresses me the most of the works on the program.
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