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This paper looks at the previously unconsidered racial stereotype of whiteface utilized by Anglo Americans in the middle of the nineteenth century to distance their working-class from those of the newly arrived immigrant Irish.
He has landed a ‘sit-down job, with benefits’ in an arcade, posing as Abraham Lincoln - whiteface and all - for patrons who pay to shoot blanks at him.
The success of burlesque in the late 1860s spawned several all-female white troupes performing standard minstrel routines in whiteface .
In trademark whiteface and Buster Keaton regalia, Viglione pummeled his drums in a murderous rage, while Palmer's full, rich voice created a palpable drama.
In the context of this event, the dancers' makeup - whiteface with eyes and mouths outlined - had a disturbing edge, though as they moved they conjured more Weimar than minstrel show.
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