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So, my question is, along with the supertonic and the original 3 already mentioned, are there any more chords that could precede the dominant in an imperfect cadence?
Leaps from this degree are allowed to the supertonic of the quinte and to the tonic quinte.
A real answer would modulate to the supertonic key, far from the tonic in which the subject is about to return; an adjustment is made so that the answer ends in the tonic key.
For example, the supertonic chord in a major key would normally be indicated as ‘ii’.
In major keys, the supertonic triad is a minor triad, because the interval between the supertonic and the subdominant is a minor 3rd.
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